Monday: Happy President’s Day!
Feb. 19th, 2024 10:30 amA few years ago, I got a copy of Jasmine Silvera’s witch and werewolf trilogy (well, the first book anyway), set in Prague. I bought it because someone on Twitter said it had a great sf book conversation between the characters and Jack Williamson’s Dragon Island was mentioned. I had never heard of Dragon Island and I got it and it was every bit as terrible as one might imagine from a surface description and I still loved it because for whatever reason Jack Williamson absolutely does it for me.
Anyway. I read the rest of the witch and werewolf series as they came out but did not go back and read the godsdancer books. I finally have now read all of those, and I gotta say, what a delightfully gory and yet fun universe. I really like Prague-the-city-as-a-character, and I love the many ancillary characters at Praha Dance and the many members of Azrael’s Aegis. I love that we finally got a better sense of wtf is going on with Gregor. His backstory creates a really surreal almost time-travel-tale element to the story (only going the slow route and only forward, but still).
A lot of supe stories have characters who have a parent who is of one supernatural type and another parent who is of another (generational sagas will really mix things up). It has always been clear that this operated as a metaphor for all kinds of Forbidden Couplings, whether that was ethnic, racial, religious or whatever. But Silvera’s stories are delightful because she explores the human side of mixed pairings and what it is like to grow up as the child (grandchild, etc.). She forthrightly presents evolving prejudices over time, and the exquisite cruelty of a parent who keeps the kid around but gets rid of the other parent and never recognizes the child as their own officially but uses them for labor instead. And not field labor, either. So, so, so much representation here that has been missing in many stories. Silvera does not make it possible to ignore the material but it is contextualized in a life well lived, even tho seriously impacted by that trauma.
Great stuff. The best kind of Happy Ending, especially since it is not an end, but rather a beginning.
Anyway. I read the rest of the witch and werewolf series as they came out but did not go back and read the godsdancer books. I finally have now read all of those, and I gotta say, what a delightfully gory and yet fun universe. I really like Prague-the-city-as-a-character, and I love the many ancillary characters at Praha Dance and the many members of Azrael’s Aegis. I love that we finally got a better sense of wtf is going on with Gregor. His backstory creates a really surreal almost time-travel-tale element to the story (only going the slow route and only forward, but still).
A lot of supe stories have characters who have a parent who is of one supernatural type and another parent who is of another (generational sagas will really mix things up). It has always been clear that this operated as a metaphor for all kinds of Forbidden Couplings, whether that was ethnic, racial, religious or whatever. But Silvera’s stories are delightful because she explores the human side of mixed pairings and what it is like to grow up as the child (grandchild, etc.). She forthrightly presents evolving prejudices over time, and the exquisite cruelty of a parent who keeps the kid around but gets rid of the other parent and never recognizes the child as their own officially but uses them for labor instead. And not field labor, either. So, so, so much representation here that has been missing in many stories. Silvera does not make it possible to ignore the material but it is contextualized in a life well lived, even tho seriously impacted by that trauma.
Great stuff. The best kind of Happy Ending, especially since it is not an end, but rather a beginning.