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I apparently bought this last September. My friend H. says she needs to start noting down who recommends books to her. I could say the same! But honestly, it hardly matters — I assess books in some detail even when recommended so it’s not really the recommender who gets the credit or blame anyway.

Small town romance between next door neighbors who share a super thin wall. She’s autistic, and he works for her ex’s dad. He cooks! She writes a web comic. She has a sister and a mom. He has a friend and a weakness for dying family members. The slow reveal on the situation with the ex is amazing. I’m _very_ used to stories in which the ex is evil, so _that_ part is not weird. I’m very used to stories in which friends and family of the person who is done wrong visit violence upon the person or property of the wrongdoer, so _that_ part is not weird. But this is so delightful, in that the world and the author are so entirely on the side of Use Your Words. I love it! There are more in the series, so if I run out of other things, or other things aren’t what I’m in the mood for, I’ll come back for more.
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I know, I know — the expectation has to be there that this is another screen against p-books. And that may yet happen! But right at the moment, it is about reading 3 p-books by JAK. Two were bound as one — _Worth the Risk_ contains _The Challoner Bride_ and _Wizard_. The other was _Lady’s Choice_. This interrupted my reading of an e-copy of _The Tragedy of Heterosexuality_ by Jane Ward, which I think has just given me a delightful new lens to think about reading JAK.

_Wizard_, in particular, has a bunch of early versions of things that recur over and over and over again throughout JAK’s books (notably, martial arts mastery, but also, the daughter of academics who strikes out on her own / is too colorful to fit in in academia but goes home and brings with her new skills that serve her well in that older context, discovering the previous love interest in flagrante delicto), but it has something I have _never_ seen in this particular form in another JAK novel and I sort of wish I had! The heroine of _Wizard_ is currently working in a secretarial pool, in a very sexist technology company in Dallas. The hero is a mathematician who has shown up to consult on a mathematical model for the company. One assumes — altho I am not sure this is explicitly stated — that the company is a petrochemical processing company of some sort. The heroine has a friend in the secretarial pool who is qualified for a much higher position in the company, but is stymied in her efforts to get such a position due to rampant sexism. The heroine is biding her time; she intends to open a boutique shop that sells the dresses and other clothing items she designs. At a crucial moment in the story, both women are super angry at the company (friend) and the hero (heroine). The friend hatches a plan to steal trade secrets from the company and sell them to a competitor in exchange for a position at that company. _That_ element actually shows up in later JAK novels (several times, actually), but as something that is actually accomplished, usually but not always by a man — right down to the involvement of a secretarial / administrative assistant who is typing up sensitive information.

But the trajectory of this part of the story is super different! First, heroine tells hero, and he takes further advantage of her as a result. Second, the friend calms down. Third — and this is the part I absolutely love — the heroine concocts an alternative form of revenge. She gets the friend a better job at another company, but without the selling trade secret element. And the _mechanism_ the heroine uses is fantastic! She identifies companies that _actually have a track record of hiring women at high levels in management_ (as part of her preparation for opening a boutique, she’s been reading tons of business magazines and business profiles). The friend picks the one she wants to apply at. The heroine puts together a resume that _takes credit for her friend_ for all kinds of stuff the company has done (and which the friend has actually done most of the work that she is claiming, but for which she has never received credit). Then the heroine writes a bunch of favorable letters about her friend, slips them into stacks of to-be-signed letters to various executives, re-extracts them after (because she’s friendly with their assistants and can get access to their stacks of stuff in progress), mails them out to the target company, and then creates the appearance within that company (letter to executive from exec at the company heroine / friend work at to target company) that the target company is trying to recruit friend, and they better not poach her!!! Finally, a set of phone calls, some pro forma interviews, and friend has the new job and current company belatedly realizes what they have lost.

This is sooooooo awesome! I love it!

I’m still reading _The Tragedy of Heterosexuality_ (well, I was until the package of JAK books arrived). There was a confusing and terrifying sentence about someone whose husband would blow his nose in the shower and clog the drain with the mucuous. I asked my FB friends about it, and there are people who Can Confirm. *shudder*
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Oh, look a book review! I haven’t done one of these for a little bit.

My dear friend K. and I talk books all the time and we LOVE talking books, but our overlap of favorite books is limited. But when we love the same book, we LOVE the same book. I recently introduced her to the Charlie Madigan series and she returned the favor last night by pointing me at Mia Sosa’s book. And I’m reasonably certain I’ll be reading more.

Storytelling is alternating first person (so each chapter has a name as a subhead in the chapter, telling you which perspective). Unlike some readers, I don’t have a knee jerk response to first person; Sosa handles it super well. And the discipline of alternating chapters works well here also. Nor does she do the backtrack and retell bits so you see if from both sides thing which is hard to resist doing but rarely actually worth it (altho wow, when people love that, they’ll buy it in job lots).

SPOILERS ALWAYS SPOILERS WHY DO YOU EVEN READ THIS BLOG SERIOUSLY GO AWAY ALREADY OR TORI WILL MAKE YOU DO HOT YOGA

Carter Stone (acting name) / Williamson (IRL) has lost a ton of weight to do a “serious” role when he is normally a TV rom com guy. On a recovery trip to Aruba, he meets Tori, a Puerto Rican (ancestry) personal trainer who learned that her Philadelphia City Councilman boyfriend “doesn’t have anyone special in his life” by listening to him be interviewed on the radio. He was trying to maneuver her into being a politician’s wife; she wasn’t going for it. They sit next to each other on the plane, but she says he has a boyfriend. They meet again at the bar at the resort they are both staying at. Antics ensue, with Williamson not wanting to get too close without divulging his real identity but enjoying being a Norm. She’s generally gun shy at the moment wanting to avoid a rebound, but totally into him. She runs when she finds out who he “really” is. He pursues in a way that could be problematic but is handled mostly sensitively by the author. (Particularly funny when we find out _why_ her bosses decide to be so understanding of her having a Thing with a client. At least they decide not to be hypocrites, altho they are not exactly up front about it, but hey, what do you expect, this is a trilogy, amirite?)

Tori has a complex relationship with her family. Her father has had a couple strokes, but loves fried food which is not good for him. Mom and sis vs. Tori on the food front, with Mom and sis running the family restaurant and Tori (obviously) on the Eat Healthy side. They actually come up with a nice resolution on this, which is maybe a bit optimistic, but not totally implausible.

Carter is pretty emotionally healthy, but delightfully oblivious to a lot of nuance going on around him. Believably so. It’s actually kind of cool.

All sorts of entertaining boundary violations, but it turns out I don’t _mind_ boundary violations when an author handles them _as_ boundary violations and they generate conflict / pushback / negotiation. And as long as I’m not supposed to _like_ the character doing the boundary violation for doing it. I’ll happily read more by this author.

July 2025

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