walkitout: (Default)
My bestie from high school years (and earlier and of course we are still good friends now! Even tho we are middle aged and her kids are all grown and mine are teenagers) responded on FB asking how on earth she’d never heard about Mary Stewart from me or anyone else. I’d pointed her at Sayers and Heyer, so it was weird that this one never was communicated. But I read Stewart when I was a lot younger, and I stopped rereading Stewart far sooner than Sayers. I didn’t even _find out_ about Heyer until college or later.

I’d looked around for Stewart novels on kindle some years ago, but didn’t find them and didn’t go back to check again until my friend H. said she was rereading them. And I was like WHAT!!!! So I bought a bunch and they sit for a bit until recently, and I started rereading _This Rough Magic_.

There are a bunch of bits in this book that I _so_ vividly remember, probably most of all when Lucy asks what Miranda was saying, and Max tells her it’s the bit from Much Ado About Nothing where Beatrice says the delightfully feral I would eat his heart in the marketplace. And then Adoni responded by saying, Here I have cooked it for you. Soooooooo delicious. Sooooo delightful. Sooooooo bloodthirsty with a thin, scratched and broken veneer of civilization.

The book is laden with Shakespearean quotations and, in retrospect, is probably a big chunk of why I was reading Shakespeare in high school and early college. I wasn’t there for Romeo and Juliet, but Much Ado About Nothing, The Tempest, that I was all over, and Julius Caesar too, for that matter.

Max Gale is a ridiculous name, and the tail end of the book requires our heroine to display Iron Man levels of stamina, but it is a ton of fun and I loved it all. I’m looking forward to the next one I reread, which will probably be _Nine Coaches Waiting_.

There are some unfortunate stereotypes of the Corfiotes, but beyond that, the book holds up reasonably well.
walkitout: (Default)
R. used the leaf blower today. A lot.

The second bottle of wine from the 12 days of wine was a bottle of Rose. It was okay. I’ll try it again when it is properly chilled, but honestly, rose always seems a little odd, but especially so in fall.

_Guild Boss_ by JAK arrived. It is a Ghost Hunter novel (set on Harmony), and it is also set in Illusion Town (Harmony’s version of Vegas). Lots of familiar elements: an edgy woman who has been kidnapped and drugged but who people don’t believe, and who has been hospitalized and drugged further and escaped and still having trouble getting people to believe her. This is long enough after Emmett’s efforts to modernize the Guild image that there isn’t too much angst between the Hero and Heroine regarding his job. Lots of Shadow city stuff; the heroine’s power is over the weird paranormal weather of the Shadow City, so that’s pretty fun, actually. By the end of the book, lots of hilarious weather goddess jokes. I really like that.

Plenty of indications that this sets up a batch of books about Vortex-on-Harmony (hero is a Jones). Should be fun!
walkitout: (Default)
For context, this is book 3 in the Burning Cove, California series. Characters and settings from the earlier two books play significant and ongoing roles. In addition, the romantic male lead, Matthias Jones, is part of the Jones family of the Arcane universe.

The setting is Interwar coastal California in the small, resort community of Burning Cove, a place where people leave Hollywood to catch a break and still be sure they can see and be seen. Amalie Vaughn and her aunt Hazel buy the villa from an earlier book (previously owned by the turbaned psychic who predicted her own death) and start running it as a bed and breakfast. Vincent Hyde, a down on his luck horror actor and his chauffeur / bodyguard Jasper show up and take rooms, which is a relief because it was looking like they were never going to have any guests due to the steep competition from the hotel — but the relief is short-lived, as he says he is there for the thrilling atmosphere, and that is promptly publicized by gossip columnist Lorraine. Amalie makes the best of it and helps Matthias investigate the death of her only other guest, who died at the same theatre that the psychic predicted her own death at.

SPOILERS

As is common in JAK novels, there are multiple bad guys running around with multiple motives. Unusually, someone actually has and uses a grenade! Excitement! The is a tire blowout on a mountain road, and they pull off and have to hide from someone who comes to “help” them. The heroine’s previous career in the circus as a “flyer” shows up in the story repeatedly, mostly as metaphor for being willing to take a risk if she trusts the other person enough, but also in a couple self-rescues and a stalker from her past.

Also, when a woman who had a falling out or otherwise had a beef with the female romantic lead shows up, it does not turn into something ugly. I really like how that seems to be a real theme in JAK novels, especially in the last decade-ish.

I would not recommend starting to read this author with this book, however, it is a highly enjoyable series entry.
walkitout: (Default)
This is an old one, and there are some issues with the kindle ebook. A lot of dialogue has a ? at the end of sentences where it isn’t clear that that was really intended? (<— cheap humor here). I’m a little unclear on the original publication date. It seems to have been a Harlequin, and may or may not have been published in 1990. I think it was part of a trilogy right from the beginning, but I’m not sure of even that much.

In any event, it has been reprinted many, many, many times over the last few decades. There is a loose connection between this, _The Pirate_ and _The Cowboy_. There are paper omnibus editions; _The Pirate_ came out in ebook form not too long ago so it is plausible to assume _The Cowboy_ will follow in due course. The loose connection is three women friends, possibly all romance writers. Two conspire to send the third off to the Amethyst Islands in _The Pirate_. By this entry, she and the titular Pirate are married and back in Seattle for an annual visit.

Sarah has been corresponding with the titular Adventurer for a few months, and decides to drive over to the coast to drop in on him. She has strong intuition, and as with many JAK books, this intuition does indeed seem to be remarkably accurate (it’s like a super low key superpower, basically, and like all superpowers, the person in possession gets a little lazy / sloppy because they can rely on that superpower to succeed where other people would actually have to work at it). She also seems to be a bit of a chaos magnet, a good cook, successful author and a slob.

Gideon is NOT a slob. He quite conspicuously dots all the t’s and crosses all the i’s that Sarah blows right past. The conflict is entertaining.

Massive, relentless boundary violations on the part of both parties. So, you know, if that is a problem for you, just turn right round and find something else to do with your time. She drops in on him completely unannounced and honestly, that’s probably the _least_ boundary violating thing she does to him. He says quite hurtful things. Sarah thinks of their relationship as being sort of Beauty and the Beast, and the treasure she is consulting with him to help her find are called the Fleetwood Flowers, and thus the Flower of Beauty and the Beast.

SPOILERS!

The book has a super short cast: Gideon and Sarah, obviously, the framing friends and a drive by cameo from the new husband and his son from a previous marriage. Gideon’s partner from a previous life. Employees at a restaurant near where Gideon lives. And two cats, one named Machu and the other Ellora. Repeatedly, Machu and Ellora are used by both Gideon and Sarah as metaphors for Gideon and Sarah respectively, and the relationship between the cats is used as a metaphor for their relationship.

Basically, 5 major characters, two of whom are cats. That is a _short_ cast.

Fun read. It has a really great sense of humor, some of which becomes evident only in the wrap-up at the end. I’m happy it is in ebook form. There’s a lot to think about here, in terms of what degree of possessiveness is okay, and what to do when it pops up in a relationship. The current strategy (run away!) is, of course, utterly valid, but Sarah has some alternative approaches which are interesting to contemplate, particularly from a therapeutic perspective (which is clearly her intention). People who call Sarah TSTL are clearly reading a different book than the one I read. (Either that, or they are just not prepared to entered the fictional universe and truly believe that her intuition works the way it is described AND depicted as working. Fair. Annoying, but fair.)

#37
walkitout: (Default)
This is not new — it has been out for several years. It has a fairly favorable review at SB (rated B):

https://smartbitchestrashybooks.com/reviews/collision-course-by-zoe-archer-a-guest-review-by-carrie-s/

Probably you should just read that review, but here are a few thoughts from me, anyway.

Wow, this is super claustrophobic in terms of casting! Heroine is arrested and threatened with prosecution but she can avoid all that unpleasantness by piloting Hero into dodgy section of space and helping him find

OKAY LET’S GET ONE THING STRAIGHT HERE. THE DANGER IS NOT FROM THE PROTOPLANETS. YOUR HAZARD HERE IS NOT THE STORM ON TATOOINE, ER, MOS EISLEY, ER, WTF. NO, YOUR RISK HERE IS SPOILERS.

As long as everyone is now gone, I will continue in my non-shouty voice.

and rescue his coworker, ex-lover, hot shot pilot / fighter Celene Jur, a name which for unknown reasons I persistently confuse with Juul, which is something else entirely. And her ship. Or, destroy the ship and maybe all of them if rescue becomes impossible.

Of course, it isn’t presented in quite this much detail — some of those bits are saved for dramatic effect _after_ Our Dear Couple Has, Er, Coupled.

There is Backstory! Oh, My, Goddess, is there backstory. But first, honestly, the bit where they deal with contraception and disease transmission is, truly, awesome. Every bit as awesome as the review led me to believe. Really, I read this thing BECAUSE of that exchange — quoted in full in the review — and it was completely worthy. I did not snort tea, and I am not sleep deprived, but that was fantastic. More of that in SF / romance mashups, please! Heck, just more of that!!

Thing I really could have done without, but probably _would not_ have skipped the novel to avoid: Mara is a Princess. An exiled, tortured Princess. Now, if I had that as my background, it would seriously derail my turned-on-ed-ness if a lover, having heard that sad sad backstory, then called me Princess. I don’t want to be called JW in moments of intimacy, and honestly, the Princess thing has that level of toxic cult crazy surrounding it (possibly worse, since scarring physical torture was deployed to try to get her to marry the person she was supposed to marry at 16 or whatever).

All that aside, I sort of liked the idea that Mara is a serial Time To Move On type. She left her home planet, and just because The Awful happened for a bit, didn’t mean she went back with her tail between her legs to marry the idiot and participate in the oppression back hom. She became a somewhat confusingly well-behaved and well-respected smuggler and scavenger. And then, when she was offered the opportunity to engage in a Worthy War against more Awful, with her new Hot Boyfriend, she took it. Which seems pretty legit, since he was willing to go to a lot of effort to rescue an ex-lover, and they were able to work together cordially, and the ex- treated Mara well. This is a guy worth dating, if only because he’s a Decent Sort if it ends.

So: highly trope-y (dodgy heroine and more or less as dodgy hero go on road trip to rescue his ex-girlfriend so they can all go on to Fight the Good Fight against the Big Bad). Wildly implausible in so, so, so many ways. A moral system that is risible (so, we don’t kill the guy who recognizes the Hero, because, that wouldn’t be right, but we _do_ kill untold numbers of people in the shooting alley? Hmmmmm. Okay).

I don’t regret reading it. #33.
walkitout: (Default)
#26

So. SPOILERS SPOILERS SPOILERS SPOILERS


SPOILERS SPOILERS SPOILERS

Now that my entire, very teeny tiny readership has gone off to read the book _first_ since I said It's awesome! before all those spoiler warnings, I can now gush.

Squeeeeeeeee!

I think everyone who reads romantic fiction extensively has a complicated relationship with certain romance novel tropes. But there are few romance novel tropes as complex as when you take someone who has been a big bad guy for a bunch of books in a series, and spin him off in a new series where he is the romantic lead.

Yikes.

Hugh d'Ambray gets married.

Of course it is a marriage of convenience! Because. Romance. Tropes!

Obviously, this is a spinoff _series_ in the Kate Daniels universe. There are reading order directions at the beginning of the book. You do You. Also, much like with the unrelated series, Hidden Legacy, I pretty much finished this book and wanted to turn right around and reread it. I _didn't_ because I wanted to squee first, so I went off and read Snob Zones instead. And parts of other things. But what I really wanted to do was turn back to page one and start right over again.

Did I mention this was awesome?

Book starts with Hugh trying to drink his way to oblivion, because of the Void that resulted when Roland (not my husband) (aka Nimrod) (and yeah, he's actually much worse than you might think, altho arguably his childhood was so fucked up he might be _somewhat_ justified. No, I don't mean that) cut Hugh off when he failed to deliver Kate to her dad, the aforementioned Nimrod. Not _a_ nimrod. Nimrod.

Hugh's immortality is thus gone; we don't really know his probable lifespan at this point. But really, who among us really does? There are buses everywhere, not to mention boiling pools of acidic or alkaline water. (Really. I just visited dozens of them. Many smell like _actual_ brimstone. Which is to say, sulphur. I did mention the acid, right?)

Hugh doesn't really know _what_ he has left, and he has to be brought back to sobriety with a healthy dose of guilt from what remain of his Dogs. Landon Nez is hunting them. Successfully. So Hugh has to come up with a base, and what his gang comes up with is the marriage of convenience to a woman of some mystery, Elara, the White Lady, who has some kind of super powerful magic, who might be incarnating some kind of chaos goddess, that might be feeding off of sacrifices. It's all pretty sketchy. There's definitely 4000 or so committed followers of the Lady, and she exerts an awful lot of effort to stop them worshiping her. None of that, no.

In addition to the threat from Landon Nez, which is substantial, and Roland, probably a bit distant, and from the Atlanta Pack and Kate's friends in general (don't forget: he's given them all a lot of reasons to hate him), there is a mysterious new threat, which the Dogs call Mrogs, basically, the magical boogie men.

Hugh obviously can handle Landon Nez. (Barrels! We find out what is in them! This really felt very D&D campaign-y. In a good way.) And the Mrogs dial up slowly enough that Hugh and the Dogs can come up with successful strategies for coping with them, too. It does not hurt that Elara has seers in her crowd of covens, along with her own hefty dose of chaos magic. Much trickier is trying to overcome the terrifying reputation Hugh has cultivated while in service to Roland. He's not real sure what _he_ will do if Roland asks him to come back, which means that any reassurances he might make that he's not working for Roland so things are different don't mean much to anyone (and to give Hugh credit, he doesn't bother to reassure anyone. Quite the contrary. It is Even More Terrifying).

There is so much in this corner of Kentucky to think about, in fact, that the book feels short. And yet it kept me up two nights running (granted, I was on vacation, and so couldn't really commit all my time to it. But I tried!).

The book does _not_ leave you hanging in terms of sexual er, resolution? Consummation? It's a one night stand, embedded in a marriage of convenience, part of a deal made between Elara and Hugh to ensure he doesn't decide to die gloriously in battle just to be shut of all the hassle and pain of the Void. That whole sequence is delightfully dirty.

Other bits of note: Hugh goes to get a horse, and picks up a junior psychopath -- I really like that kid. I'm looking forward to seeing more of him. The horse, meanwhile, is white, huge, and people see something shimmering on its head sometimes when the magic is up. Oh, yeah. Hugh is riding a white unicorn. Awesome.

HEY I DID MENTION SPOILERS!!! GO AWAY!

The end of the book is particularly delicious. In oh so many romantic suspense novels, the hero and heroine team up to solve some sort of problem, and she is put in jeopardy towards the end of the book and must be rescued heroically and somewhat violently -- but not too violently, except sometimes, when it is That Kind of Book -- by the Hero. It's a thing. Well, this time, it is gender bent. Landon Nez kidnaps Hugh and turns him over to Roland after a spot of torture. (Ew. Altho honestly, he has completely earned it. And more. Which he knows.) Roland is trying to sweet talk him into returning and Hugh isn't having it at all. In fact, Hugh makes a blood needle (a little too damaged and drained to produce more than that) and asks why he can still do that (nope, Landon and Roland don't have an answer there either. Fascinating! Guess we'll be asking Kate next, right? Ha ha ha ha ha. Or maybe Julie? Oh, fun days ahead!). Guess who shows up to break Hugh out? The White Lady in full manifestation / incarnation / WTF. So, so, so awesome. Actually, deeply creepy. Not detailed deeply creepy. Sort of via allusion deeply creepy. Probably not _actually_ as creepy as the Black Banshee, tho. That was freaky.

Oh, and sending the elephant back with flowers was _so_ cool.

I'll be rereading it. Probably more than once.
walkitout: (Default)
This is a reprint, that lists both names. The original was from April 1984. My sister brought me a paperback to read on vacation. Thank you!

Our Heroine, Tabitha “Tabby” goes on a cruise, because she would sort of like to be a different person than the bookstore owning, divorced by a guy she never should have married because she was too boring woman about to turn 30. While on the cruise, picking up dragon tchotchkes as one does in 1984 — she has a thing about medieval bestiaries — she stumbles over (literally) a beat up Devlin, the hero, also a passenger on the boat. She drops her packages, gets him to a taxi and back to the boat where she delivers him to the onboard clinic, infirmary, wtf, and then nurses him back to health herself, thus exercising her bossier side quite safely.

Meanwhile, Devlin was in the alley beat up after stuffing the guy he was in a fight with into a dumpster. He was there to do some sort of covert pickup something or other, and later on, after Dev and Tabby had misunderstood themselves into a sexual relationship that might or might not survive the cruise, Dev’s covert ops activities drag Tabby into them (because this is, after all, a JAK romantic suspense novel).

Tabitha cuts and runs, and contemplates what she has learned from her abbreviated cruise ship adventure. She throws herself a 30th Birthday party (hey, spoilers! Also, duh spoilers!). It goes super well, altho while her efforts to pick up a Hot Younger Man are largely successful, they are both too drunk to follow through and wind up snoring on her sofas, conveniently In Flagrante something or other when Dev finally reappears in Tabitha’s life.

There’s a lot here that is familiar, and a lot here that is troublesome. Dev’s behavior is a bit retrograde even by mid-1980s standards, but it is _appalling_ by 2018 standards. OTOH, you _can_ frame what these two are up to as a covert 24/7 kink thing. Pretty easily, actually. So if you are tied into kink enough to find takedown scenes HAWT this might really work for you. But if the whole idea of someone being forceful in a romantic context makes you ill, then you should really stay away.

Sadly, I got a huge kick out of it, and I think this may be the first time I’ve read this one. I was a little bummed there was no grotto scene BUT there is a maze! Trade offs!

#24
walkitout: (Default)
Second in the Burning Cove series. Irene and Oliver make very brief appearances in the background.

Adelaide’s parents “died” in a mysterious lab explosion, leaving her an orphan, and easy prey for what in a very different kind of book would have been labeled a fortune hunter. Massey was pointed at Adelaide in part because the people who murdered HEY SPOILERS YOU KNOW THE DRILL her parents wanted to nab her for moderately confusing reasons as a test subject. She is whisked off to Rushbrook, which she escapes from, travels to Burning Cove where she summered with her parents when younger, changes her name and gets a job as a tearoom waitress.

There, she makes friends and develops a support system, including Raina, who I suspect will star in book 3, but might just remain a background character (she was _also_ a background character in book 1, which is sort of awesome). Raina and Luther are developing a relationship — also pretty awesome. The drug designers / dealers show up looking for Adelaide, but all kinds of confusing shenanigans ensue as various members of the drug ring start offing each other.

I pretty much always enjoy JAK, but I felt like this was a pretty strong one for her. The cast of characters was better developed than is sometimes the case. The back and forth rescuing is unusually plausible, in part because it is subtle. And there are so, so, so many moments that reminded me of _It Happened One Night_, a deeply problematic movie which I nevertheless totally adore.

Looking forward to the closing of the trilogy, but also looking forward to other JAK.

ETA: #17
walkitout: (Default)
OK, bought this because I saw an ad on SBTB, and boy, I won't be doing that again. Poor choices! At a third of the way in, I started turning pages as quickly as I could. At halfway through, I was really wondering why I was continuing, but figured, meh, it'll deliver an HEA. At 3/4s of the way through, I said to myself, Self, this is the first entry in a trilogy, and I haven't read a review I trust of this thing to ensure an HEA or even a satisfying holding point at the end of book one. Let's go look.

Nope. Nope. Nope. Nope. Goodreads review by someone I don't know a thing about is the only indicator I can find of someone even finishing the book, and that person said "vicious cliffhangar". Yeah. Nope. Nope. Nope. Nopity Nope.

Things wrong with this book.

Main male protagonist / love interest / wtf experiencing stress and tension goes off to vision [ETA: don't know what happened there -- should have been "visit"] a pleasure droid. He comes three times. When he is finally done, he notices he has completely destroyed the droid.

Earth is cold. The scientists who fixed global warming overshot. Core temperature is said to be dropping to a point incompatible with life. This is in universe with multiple species AND the ability to terraform. First, don't know what core temp has to do with anything -- average ocean temp would seem to be the relevant metric. Second, can't you fix this with terraforming? Seriously?

We have some strong female characters. Evil Mom. Evil Mom's genetically modified minions. The heroine, who is daughter to Evil Mom. Someone who gives Evil Agent of Evil mom a blow job and is later shot by him. Another genetically modified woman who can't touch anyone without poisoning them to death. Another woman who seems to be Special, but turns out to be another Evil Agent of Evil Mom.

Some discussion among politicians about the underclasses and their reproduction and or death rates. None of that makes any sense at all.

The word "patent" is used as synonymous with "that's how corporations make tons of money". To be fair, I'm sensitive to this, because this trope has been showing up in romance novels / series in SF skin. But *shudder*. Patents != money. Come on, people.

Why is there no food anywhere?

How can you have space travel, but not be able to keep habitable parts of earth warm?

Why didn't everyone move to the equator? Etc.

I could go on. But why would I? Also, why does Evil Mom think daughter would be willing to be her bodyguard? Why are people focused on getting transit to a single replacement planet for Earth, rather than on getting a decent array of functioning colonies going? Why why why? Also, fix Earth?

So I'm stopping at 3/4s. Because I'm sure as hell not signing up for the next book in this series, and this one is ending on a cliffhanger anyway. Next time, I will NOT buy based on an ad at SBTB, but instead wait for a review.

ETA: I might have been influence by comparisons of this to Rachel Bach. Don't you fall for that crap. Bach is fun. This is Not Fun.
walkitout: (Default)
I got this via kindle unlimited. I saw a somewhat favorable review on SBTB, but I am not sure I would have bought the thing — via kindle unlimited, it is a no brainer. If you don’t like it, it just goes back.

I did not realize until _after_ I had finished it that it was a KKR book. It’s less clear to me whether I would have read it, had I realized that at the beginning, but I’m going to review this the way I was going to review it before realizing who the author was, and then explain how that might have impacted my initial decision to read or not.

The book opens with the woman lead dragging her victim / target / assignment’s dead body towards an airlock and being flummoxed by the airlock. She wants to dump the body without setting off the Cruise Ship In Space’s alarm, and is having trouble. The man lead shows up, chatty and funny, and proceeds to commit fire alarm mayhem: he opens the lock, dumps the body, then drags the woman around while chattily acting drunk and setting off multiple other airlock alarms on multiple levels. Security finds them, fines him, and they head off to the lounge to be conspicuously boozy and sexy with each other before then going to his magnificent suite to have actual sexy times. It becomes clear (first person perspective alternating) that he remembers her from when they were young but she doesn’t remember him.

Breakfast is a little rocky, and she leaves in a huff, and things go downhill from there. She eventually figures out Who He Really Is, and extended chase around the sector ensues. She meets up with her “heart brother” to ask him to look into this guy’s background. He stumbles across his ex. He eventually confronts her at her apartment door when she orders robot takeout. Lots of backstory is revealed. “Heart brother” comes through with the goods on the guy. There is more antics about possible assignments she could take, one of which she really doesn’t want to take and he really wants her to take and not fulfill on.

Then it is off on another Cruise Ship in Space to that assignment, where his ex- pops up, acts like a complete bitch on wheels, the quite obvious setup is deployed, a variety of people get shot but don’t die, one person’s necks is quite spectacularly broken, and then epilogue.

What’s bad: very thin cast of characters. Space is apparently a very empty place. In addition to the people who are going to have sex with each other, and the people who want to have sex with her and she declines and the woman who used to have sex with him and Wow She Really Is Not a Nice Person, there are basically an extremely short list of briefly met coworkers and the foster brother dude. That’s it. And it sounds like more than it really is, basically. Honestly, the woman character’s interaction with the woman in security is a fairly substantial scene in this book, which gives you a sense of just how limited the characters and their interaction really is.

What’s good: moves super fast. Not too angsty. Fun stuff. Competence porn. Downside of the competence porn is that he is such an idiot. His opinion of her changes wildly from one moment to the next, mostly because he fails to understand what he is seeing, which leads this reader a little baffled. Is she actually chaotic and a troublemaker and he is just basically making excuses for her? Is she actually Really Fucking Brilliant and he just fails to appreciate her for a while? I think this is supposed to be layered / complex characterization. It does not work very well for me.

While I did kind of get a kick out of the description of her apartment, it seemed wildly implausible that an assassin would really live in a place like that. But, you know, I don’t know any actual assassins so what do I know. One thing I will note about assassin characters in general: you just don’t see them actually doing the deed very often if ever (you see her kill, but I don’t think you see him kill; and her one on screen kill is not a paid for job). (I know there are exceptions to this rule, but this book is not one of them).

I also found his successful grab with the robot takeout to be implausible. But, whatever. That’s not really what this book was about.

I also felt like the psychological trauma backstory for her was inadequately resolved. Altho it _does_ go a long way to explaining her basic psychopathy (his is adequately explained right from the beginning).

Yes, I get that they are not really psychopaths, because they are way too good at reading other people’s emotions and at planning ahead to truly be psychopaths.

OK. How does the author identity fit into this? First, the fun romp, chase sequences, sexy times, etc. are all very KKR. That’s the good part of what you get from her books. Second, the inadequately handled technical details and the woefully under handled trauma backstory are also part of what I remember from reading her years and years and years ago. And yes, the feeling that there just wasn’t much _to_ the whole story is also very KKR. All that said, she’s really honed her craft over the years, and I will keep her and this series in mind for when I am looking for this particular kind of quick romp of a read novel in the future.

ETA: Book number 6.
walkitout: (Default)
Second in a loosely connected trilogy, this contemporary romance with mystery / suspense elements is about what a JAK reader expects. A thirty something Pioneer Square art gallery owner with past childhood trauma that interferes with her ability to sleep (anxiety attacks in the middle of the night, around the time of the trauma) hires a private investigation agency made up of one older man and three younger. The three younger were somewhat older children trapped in the same cult nightmare that causes her so much anxiety; the older man was the rescuer who adopted / fostered the young men after the cataclysmic fire ending of the cult.

What triggered the gallery owner to hire the investigator was the death of one of the adult women in the cult, who had been, well, selling would be the wrong word, some of her art to the gallery owner. The artist lived on one of the San Juan Islands (“Lost Island”, has private ferry service including you can go out there with your car, which makes me sit and go, hunh. I don’t think this maps to an actual island. But I could be wrong.) (but it kind of sounds like Lopez). When the gallery owner and private investigator go out to the island, all kinds of antics ensue, forcing them to pursue seemingly unrelated crimes simultaneously.

Lots of typical JAK elements: the investigator does martial arts. There is a secondary romance for the older man at the agency. There is extensive extended family drama. There is a closely hold family corporation that is part of the family drama. There is a gay couple running a B&B. There is a charismatic, psychopathic bad guy who fathered children who were raised by other people who grow up to make trouble of their own. Older woman with money living on Queen Anne. Embezzling that a company does not report for fear of the reputational impact putting them out of business. Women sleeping with the boss and being cast aside and / or fired because on the job relationships at the company are verboten and that’s an easy way to make the boss’ problem go away.

The tech economy elements are interesting: JAK hammers hard on the idea that women do a fair amount of the tech work but don’t get the credit. That men are has beens at a very young age. She captures the rapid development of South Lake Union relatively well, especially the disappearing views.

I think one of my favorite moments was at the Wallerton house. It really felt true, altho who knows, maybe it isn’t true at all. Houses generally speaking have a conspicuous front door, and a less conspicuous but at least you know to look for it back slider, French door, regular door, and maybe a side door or two. But especially in houses in areas that need mud rooms or have wood storage, you can wind up with weird entrances that don’t exactly look like entrances immediately, and often, these are soft entry points — everything else might be locked up tight, but sometimes that one will be unlocked pretty much all the time. (Basement bulkheads are another example: a lot of them aren’t locked themselves, and lead to a door which is often unlocked, and internally there is access from the basement to the main part of the house, again, often unlocked.) I cannot, off hand, think of this being described in a book, but it was here, and I really liked that.

I may go back and reread the first book in the trilogy again. Obviously I will continue to read and reread JAK.

ETA: Book #2 for this year.
walkitout: (Default)
_Naked in Death_
_Glory in Death_
_Immortal in Death_

I don't know why, but I didn't read these as they were coming out, even tho I was aware of the author. I don't know if I knew they were set in the future (2060, give or take). And I don't know if that would have made them more or less interesting to me at the time.

Anyway. Random things to be aware of. J.D. Robb is also Nora Roberts. The first three books in this 40+ book series are a fairly straightforwardly arranged romantic arc: book 1 gets them together, book 2 gets them engaged, they are married in book 3. The future is definitely a future from the 1990s: everyone has electronic stuff, including what is more or less a cell phone, but every bit of electronic stuff has a specific purpose -- and the other gadgets are not necessarily connected to any kind of net or database outside itself. If you want to extra information from gadgets (including call logs from the phones) you get a disk or a hard copy of some sort. Very 1990s! The only thing missing is the PC at the center of this gadget universe, but while there are desktop computer type things, they are not obviously the hub of the peripheral universe a la the 1990s. But while the gadgets are free floating they are also not connected to the cloud as in our current world. Weird stuff. I love the futures of the past that will never be.

There are space colonies. You can call them. There isn't any obvious lag (that is, by about book 3, Robb is mentioning irritating delay, but it is not apparent in the back-and-forth, and honestly, given the apparent location of the colonies, I'm unconvinced the delay makes any sense in even its limited depiction). People go back and forth to various colonies off world the way they might travel now to Dubai or whatever -- it's kind of a long flight and there are time differences, but that's about it.

At least in this early part of the series, there are people who have same sex relationships (or at least sex), but there is no depiction of long standing, stable same sex relationships (I could have missed something in a background character, so don't hesitate to point it out!).

Roark is a billionaire! But like, low order single digits billionaire, which makes no sense at all given how much of Manhattan he supposedly owns. So that's weird. *shrug* But the dollar amounts mentioned don't cohere well at all, beyond apparently Real Meat and Real Coffee are incredibly expensive. I wish it were more obvious what an AutoChef was -- as it is, I kept visualizing the thing Batman cooks his lobster in in The Lego Batman Movie. Which is clearly not right, but it isn't clear what _is_ right.

In the first book, a serial murderer is killing Licensed Companions (yeah, about what you think -- they've legalized and regulated sex work, and there are men and women who do that work and their clients are men and women) with various 20th century projectile weapons. Politics, conservatism, hypocrisy and incestuous molestation of family members play a big role.

In the second book, high powered women (a lawyer, an actress and someone who was mistaken for a tele-journalist) are being killed by a single knife swipe to the throat. Background characters from book 1 repeat, which is nice.

In the third book, a variety of people are dying after taking a new drug with a bunch of kind of awesome effects and a couple of really bad effects. Again, background characters from book 2 show up in book 3, along with more from book 1. The female lead Eve starts actively mentoring another woman cop.

The protagonists (Eve, the cop, and Roark, the businessman) come from complex backgrounds full of abuse and deprivation. Eve has blocked a lot of her first 8 years out, and the police psychologist (who becomes such a close friend she attends Eve's bachelorette party by book 3, so you know, no conflict issues there!) is an important plot element dragging Eve and the reader through memory lanes via icky flashback dreams. All kinds of trigger issues here, and a whole lot of questions that don't even seem to occur to people.

SPOILERS AHOY!

Maybe not, but whatever. I mentioned what I did above to give you structure flavor without spoilers and to warn about possible triggers. But there are particular problems with Eve's backstory that really bother me. She basically enters social services with no name or identifying information at age 8, after being found naked, shivering, broken arm, etc. in an alley in Dallas (her last name now). Really? We're in 204x and no one thinks to pull a blood sample and run DNA on her? Foot prints? No?

OK, how about this. When Eve remembers I DID MENTION SPOILERS I KNOW I DID that her "daddy" routinely raped her and they moved around a lot and he locked her up and didn't feed her and so forth, why does no one ask, was "daddy" her actual bio father ... or did he maybe kidnap her, and her actual loving family, siblings, etc. are somewhere out there still wondering what happened to their darling 2, 3, 4, etc. year old who was stolen from them? I mean, _it happens_. I'd want to know. Eve doesn't need to ever know, but hell, you could _still_ pull the DNA, and run it against all the DNA of unsolved murders, and find "daddy" that way. And whether he was bio-dad or not. And maybe find out if he murdered "mommy" or mom or whatever and when. Or if maybe she's still out there having kids with awful fathers and maybe needs to be stopped (probably not -- Eve is 30ish). Eve remembers and immediately feels like she's guilty. I'm going, no, but there are crimes here, that maybe need to be wrapped up.

I don't know whether I'll keep reading. There's a lot to enjoy in these books, and I am compelled in some ways by the possibility that Roark is the bridge between old-skool romantic heroes who were merely rich and the billionaire sub-genre that has so taken over romance today.

Also, the puzzles are above average as mysteries.
walkitout: (Default)
JAK has been steadily reissuing her older contemporaries as eBooks. Generally speaking, these are unchanged (altho there have been unfortunate exceptions). I noticed that _Private Eye_ and _Silver Linings_ are out in eBook format.

_Silver Linings_ starts out as an island adventure with some backstory. There is a classic she discovers dead body of older man she was supposed to meet followed by an encounter with him, then a run through the jungle to a cave and some of the backstory starts to come out. On the second island, they meet a hooker with a heart of gold and there's a pretty classic misunderstanding as well as a bar fight. Then they are back to Seattle -- her home base where she has her business, an art gallery. She has crazy artist family. He has a business in the islands. Where will they live? Along the way, he is trying to figure out who is responsible for the dead body, and problems from his past resurface. The backstory continues to get ever more convoluted with her as the rescuer of multiple damaged men from her sister's past (he is an ex fiancee of the sister as well). So, all kinds of fun here, a pretty long book. Hooker with a heart of gold winds up playing an ongoing role, and retires to design clothing (a little Seattle seamstress reference, there, I think!).

_Private Eye_ takes place on a Not Tropical Island. She's running a b&b with some permanent residents who were friends of the great aunt who left the place to her. There are Problems and various theories as to the source of the problems. She "hires" him not for money but a month's free stay at the currently closed inn. He takes the opportunity to recover from a sprained ankle and other damages from a case, and to work on a novel as he contemplates a career transition. The permanent residents include "the Colonel" who is also an Inventor, the shabby chic woman who owns some (worthless) stock, and the former moll of a gangster long imprisoned -- clearly, JAK was having fun with some tropes here. All the various theories are neatly tied up. This one is a lot shorter and very, very funny.

I think I owned these both in paper at various points, but I'm very happy to see them out in eBook form, if only because it is so very much fun to see "contemporaries" become accidental "historicals".
walkitout: (Default)
I've been sick for over 10 days now -- I have been getting better for a while, but it was bad. It was respiratory, and I suspect it was the flu, because it started with horrible bone and joint pain. Maybe I _will_ get the flu shot next year. I don't often get this sick.

Anyway, I have pretty well defined phases of Being Sick, one of which is Too Sick to Read, and then there's Only Beloved Rereads and next is Trashy Fiction from a Reliable Source. After that is Trashy Fiction But Willing to Take a Small Risk and after that is healthy and back to walking and too tired to do much more than play Farmville 2: Country Escape. (It's a sad, sad life, but I enjoy it so.)

IF YOU ARE ALLERGIC TO SPOILERS YOU ARE ABOUT TO GO INTO ANAPHYLAXIS. HEAD TO THE ER NOW or borrow your kid's epi pen or whatever.

I tried to read JAK's _Smoke in Mirrors_, but I was pretty ill and I had reread it too recently so I did not finish it as I started to recover.

Here's what I read during the Trashy Fiction from a Reliable Source phase.

_Eye of the Beholder_ This and the next one were JAK novels that I liked from the 1990s (and at this point, I have bought them new in hardcover, in paperback, used in paperback and in kindle. Nuts!), but had such a high price in kindle form that I just couldn't bring myself to buy them. I was waiting in hopes they would drop in price but they never did. Oh well. Good news: I hadn't read it for probably 10 years. There's some high quality banter.

_Flash_ Neither this one or the previous is quite old enough to be a "historical contemporary" (a contemporary with enough age on it to qualify as historical fiction). But I can see that it is only going to take another few years for that to happen.

_Stormy Challenge_ I didn't buy this one for a long time because I had read it in paper (probably close to 20 years ago now) and the reviews were pretty negative (it is perceived as rape-y and there is definitely a lot of ambiguous consent in the book, altho I think it falls firmly on the right side of the line once you factor in all the non-verbals being described. Not everyone is going to be okay with that). Definitely a historical contemporary. It got me rethinking a lot of other books which start with a deception and then proceed through a couple hundred pages of arguments interrupted by sexual activity that isn't every fully consummated (if you're thinking this feels like a reworking of Taming of the Shrew you are Not Wrong). Reading these three in a row and thinking about the depiction of women running their own small businesses in contemporary romances during the 1980s and 1990s is really, really thought provoking.

_Legacy_ Again, deception and arguments, altho the arguing is not quite as sustained. This is another one of JAK's (possibly the original one of JAK's) books in which the offspring of business partners who may or may not have betrayed and/or killed one another get together, figure out what happened, figure out who each other is, etc. With horses. The small business run by the woman in this novel is so in the background you might miss it entirely.

_Serpent in Paradise_ Vacation fling, HQN structure (So, a couple weeks together temporarily, separate, are reunited, work through difficulties, family formed -- this is a really well defined structure and widely discussed in the industry so if you are reading one of these books and are surprised by anything, you are clearly new to this game). Because the woman is on vacation, her business is very backgrounded for the tropical part of the story. Then she's back, but has a lot on her mind, so honestly the party gets more paragraphs than the business (I'm not complaining). When they ultimately move back to paradise (HEY I WARNED YOU GET THE HELL OUT OF HERE), there is no contemplation of the fact that kiddo might need to go to school in a few years. I don't mind that dad's job won over mom's job (I think it was a good call, given what was gonna happen to the rent in SF for mom's lingerie stores), and I like that mom had plans for opening boutiques to cater to the cruise liner trade. I don't know if I ever thought about things like, where is the kid gonna go to school, when I read this sort of stuff 20 years ago. I was probably too busy being mad at mom giving up her gig in favor of paradise. Oh, and if you are thinking homeschooling, or the whole school thing is overrated until the kid is 10 or so, I don't disagree, I just don't see how homeschooling is compatible with running a bar AND a shop, unless you take a child labor approach or a real hands' off approach, both of which could actually work out really well if you've got the right kind of kid. This book also has the Grotto Ambush sequence that appears in various forms in many JAK novels AND the Must Hike Across Country to Save Ourselves sequence. These are great sequences, and it is fun seeing them in their original, historical contemporary setting, after having seen them more recently in various Rainshadow books.

At about this point, I was looking at some JAK historical contemporaries that had even worse reviews, and I was feeling better. So I switched to reading Thea Harrison's Elder Races series, which has been, IMO, very uneven. I found it an incredible slog to get through book 3 (Carling's story, _Serpent's Kiss_). But I figured I'd give it a shot.

_Oracle's Moon_ File under Calgon Take Me Away. The Oracle, currently living in a run down house in Louisville, KY, with her young niece and infant nephew, is still grieving over the death of her sister and brother-in-law, and her own near miss with death which left her with significant movement problems. The story begins right after Carling and Rune show up and talk to the serpent lady through the Oracle, so the Djinn is hanging around feeling contemptuous. Another book with a lot of arguments in it. I felt like the whole trucker with lapsed insurance, mean witches not being very helpful and so forth felt a little off and it turned out that was intentional. Harrison did an interesting thing, in which she took a plausible situation In Real Life, which is NOT plausible in a powered context, and used the disconnect to create a mystery in need of solving to catch the bad guy. It's bizarrely satisfying. Along the way, the Calgon Take Me Away thing is the Djinn falling first for the kiddos and then for mum (so this is Ready Made Family, also), and calling on his significant resources to make her life more fun. Also, a truly excellent bar fight. A lot of the elements of Harrison's books are hackneyed in form, but she does a really nice job breathing life and color into some old structure.

_Lord's Fall_ is Pia and Dragos separated for part of the book. Pia is becoming a leader of her own team within the Wyr demesne; that is depicted in just about the right amount of detail and with a lot of humor. I guess you could ask, how did Pia get smart enough to do this given how much of a loner she is/was growing up, but that's the worst thing I would say about that. I LOVE the basic joke of having actual objects in the storyline called God Machines, and one of the God Machines in the hands of an elf with a lot of power is the central problem that must be solved. Hilarious! Which is good, because this is a very dark story of a charismatic leader dragging an entire race? culture group? off to destruction. Ends with (HEY WHAT ARE YOU STILL DOING HERE) the wedding, honeymoon, and Liam's birth.

_Kinked_ is the harpy and Quentin (old sentinel and new sentinel) getting sent off to check up on Numenlaur (emptied out land from previous book), because their fighting has gotten completely out of control. A little light DS, lots of psychoanalytical speak associated with it. They rescue Linwe and a couple others (and are helped in turn by them) and then go after a magic user after a resurrection spell. They take a lot of damage (a LOT of damage) along the way but survive, so part of this is about the difficulty of surviving the aftermath of physical trauma. But because this is an HEA and because this is fantasy, the harpy does get to fly again, which of course IRL maybe not so much. I got a huge kick out of this, because it felt like a weird mashup of postapocalyptic hellscape/bombed out After the Fall fantasy landscape -- but a two day's hike back to your iphone working again. Dark and still fun.

There's more in the series. I'm not sure if I'll be reading more now, since I'm back to walking again.
walkitout: (Default)
My sister and I share an ebooks account, but there is limited overlap in our reading preferences: a few non fiction books, slightly more numerically but even fewer percentage wise romance novels. But Linda Howard is definitely in the overlapping area, so I thought, it's short, I'll give it a try.

This is part of the "snowbound with a stranger" subgenre (yes, there is one). Some romance novels -- often longer -- have a huge cast including secondary romances. Some romance novels -- generally shorter -- have an incredibly abbreviated cast and basically lock up the couple-to-be until they get their shit together. As one does. In this case, it isn't precisely _snow_, rather an ice storm on a hill in Maine.

DID I MENTION SPOILERS? RUN OR SOMEONE WITH BAD TEETH WILL GET YOU

This is also a romantic suspense novel, which means that in addition to the budding romance, there is someone chasing/attacking/threatening The Good People. Here, it is a couple of meth addicts attempting to rob Lolly. They follow her home and lock her in her room.

The male romantic lead is an MP home to visit his son over the winter holidays. His dad, the local law, has sent him to find Lolly, who is in town to pack up the remaining family belongings (everyone moved -- it's not tragic or anything), out of cell phone coverage and may not be aware of the incoming ice storm. Antics ensue.

Did I mention the shared childhood history in town? She is/was kind of a nerd; he enjoyed tormenting her.

Good things. It was short. It moved along well.

Bad things. Why is it that every ladder in every book has its rungs break at a crucial moment? Why would anyone who lived in Maine be wearing non-weatherproof shoes and anything other than wool socks in December? She spends her time in Portland, but still. He's down in North Carolina for his job, but again, _he grew up here_.

I'm still trying to figure out what I think of the meth addict bad guys. On the one hand, I feel like this indicates that suburbia, or at any rate Northeastern exurbia, has gotten so safe (in a criminal sense, not in a weather sense -- it continues to be treacherous in a weather sense) that authors are stuck using characters like meth addicts just to have _someone_ attack someone to drive the plot forward. On the other hand, I felt like these meth addicts were way too persistent and had too complex thinking/goal orientation to actually be believable. Also, there is sort of this disturbing privilege issue, when you start thinking about who tends to wind up spiraling down into meth, vs. the daughter of (once) rich parents.

This isn't going to make me run right out and read more Linda Howard. On the other hand, this is approximately what I expect from Howard, so it's not likely to make me avoid her any more in the future than I already do. And it enabled me to avoid reading more of _Wild_, which was getting on my Last Nerve.

For those paying attention, once the kids were in bed, I watched Captain America: Winter Soldier. It was really good, just like everyone told me.
walkitout: (Default)
I _think_ this is a reread, but honestly I am not sure.

In any event, set in the San Juans/Anacortes (wooot! Home turf, baby! My people, oh, fucking never mind, you do not care. But I like books set in the San Juans), Honor Donovan is trying to find her brother Kyle. She thinks he is hiding somewhere in the San Juans, on a tiny little island -- not sure which one -- not served by the ferry system. Alas, as a result of a traumatic boat ride as a young person, she never learned how to drive a boat, so she has to hire someone to teach her.

Jake Mallory is about to lose the business he worked so hard to build, because the Russian Federation thinks he stole something. Jake thinks it must have been his partner/liaison Kyle. Jake doesn't tell Honor this when he takes the job driving the boat for her.

Antics ensue. Lots of people show up looking for Kyle. They follow Honor and Jake around. Honor and Jake are attracted to each other but Honor is stressed and Jake figures Honor is gonna be way mad when she figures out he isn't just some random boat driver.

The thing which was stolen is possibly a panel from the Amber Room, or maybe a copy of same, so, basically a very similar plot to _Tell Me No Lies_, altho not identical. On a political level, identical: random groups of people sneaking around with weapons in the dark AND different parties benefit depending on whether the panel exists, where it is found and whether it is a fake or not. On a personal level, a little different: Honor isn't obsessed with honesty, and Jake lies to her at least through omission.

SPOILERS!

Yes, Honor gets to whack someone on the head with a half pound weight that she casts. All through the book, if you're like me, you're going, oh, please please please let her hit someone really hard with one of these things. And she gets to. Yay! I wish it had been a man instead of a woman; make of that what you will.

While this book is not as old as _Tell Me No Lies_, the date on it is pretty damn clear. R. and I are engaged in a discussion of how possible is it to date the time frame in which a novel is written vs. when it is putatively set, and the implications for teaching literature in a world in which there are approximately equal numbers of readily available historicals and "contemporaries" set in a given decade.
walkitout: (Default)
My sister recommended this after I reviewed _Shadow Woman_, as better romantic suspense albeit dated. I haven't read Elizabeth Lowell novels for a long while, probably the early 2000s. I think I read the Donovan series (_Pearl Cove_, etc.). As near as I can tell from the author website, _Tell Me No Lies_ was a paperback original in 1986, reissued in hardcover in 2001. A mid-1980s date is compatible with the internals of the text. Unlike some reprints of Jayne Ann Krentz works from a comparable time period, no efforts have been made to deal with the massive technological changes that have occurred since the original writing/publication. Thus, making calls from pay phones using coins is a crucial plot element, and the only cell phone to make an appearance fills a briefcase.

http://www.elizabethlowell.com/books.html

The plot, while complex, is straight out of the 1980s. Young career woman (early 30s) with a failed starter marriage in her past has devoted herself entirely to her work, in this case, she works at a museum and as a consultant authenticating Chinese bronzes. Lindsay Danner was an only child and recently her American missionary to China mother died. Lindsay was born and grew up for several years in China (her dad also a missionary, altho he was from Canada). Lowell handwaves around the problem of the dates; Danner's childhood would make a lot more sense if she were born ten years earlier. She has nightmares which have returned since her mother died, involving a mostly forgotten childhood event when she saw someone die.

Catlin (who has a first and middle name), formerly dba as Rousseau in Indochina, is "hired" by Chen Yi to protect Lindsay Danner. The hiring is somewhat coercive, in that Chen is calling in an old debt that Catlin/Rousseau owed someone who saved him from his own bad judgment (and at the cost of his savior's life). Rousseau, at the time, was a deep cover CIA agent.

Brad Stone, FBI counter espionage guy, leans on Danner's boss at the museum to get her to participate in an undercover operation. Her role is to be a credible authenticator of a Chinese bronze charioteer that may or may not exist and may or may not have been smuggled from China to the US. If it does exist and is real, it is a crucial element of a series of plots, and Stone in particular is worried that significant damage might be done to the then-blossoming trade relationship between the PRC and the US.

There's a whole morass of additional elements to the plot: the guy who hired the hit on Catlin shows up, an old friend of the Danner family gets involved, there are layers of double agents and blah blah bleeping blah. But the major plot elements are pretty much the three people above, and a whole lot of people machinating around the bronzes. The suspense of the book does not actually involve a lot of danger: there are no chase scenes (beyond the FBI setting up surveillance nets and so forth, which hardly count). There are no gun battles. There's a little bit of kung fu fighting, which Lowell persists in calling karate, which makes approximately zero sense, possibly negative sense. (There is one way it might make sense, if Catlin really did learn it from the CIA guys, maybe in Japan? But why? And why would anyone stick to that, if they were spending a bunch of time in Vietnam and trying to fit in there?) There's a little bit of looking for bugs and car bombs and dealing with them, but it is very much in the background. The suspense derives instead from the emotional and psychic pressure on Lindsay Danner as she acts the part of a woman of integrity who is so in love with a Bad Guy that she is willing to give up on her morality/integrity/ethics/professionalism/wtf.

It's totally not believable. Lowell writes it _beautifully_, but I was unable to believe it. At all. If it freaks you out that much to have the people around you Think Bad Things Of You, then you actually are not a person of integrity. You are a person who is a complete tool, concerned only with the thoughts and opinions of others. Yeah, no. It might have worked a bit better if it were presented more explicitly as a cultural conflict, but it really and truly wasn't. It might have worked a bit better if it were presented more explicitly as a levels of loyalty conflict (loyalty to profession vs. patriotism). Lowell did actually do a nice job of presenting Lindsay as a kind of aspie-level Can't Tolerate the Lying person. That I believed.

In general, I don't like this kind of wheels within wheels plotting, because I just don't really believe that anything that convoluted happens in the real world. Or, if it does, any reality based person who encounters it should run away. No matter how much the participants believe in this kind of crap, no one outside the inner circles knows or cares, but a participant nutty enough to believe in this is nutty enough to do all kinds of random shit and there's no point in sticking around to get caught in the crossfire.

That said, Lindsay Danner turned out to have some seriously awesome instincts. While not drawn to this game for the usual reasons (Fun! Which I think _is_ a valid reason to participate), she turned out to have a lot of personal connections to the game, and her limited participation allowed her to work through her personal history in a therapeutic way. She didn't die. She learned a lot. Also, picked up a hot dude.

Reading mid-1980s genre fiction that was written as skillfully as _Tell Me No Lies_ (or, similarly, _The Desperate Game_, which isn't as good but has some of the same attributes, altho it got butchered trying to fix the payphone/cell phone problem) is an interesting experience. 30 years on, it is more like a historical novel than a contemporary, but of course the background details tend to be more accurate in a contemporary than in a historical. It differs from a historical, in that it _really is like the 1980s_. It isn't like a 2014ish perspective on the 1980s. So there's a whole lot of stuff going on that is deeply irritating because the 1980s kind of sucked. Among other things, smoking indoors, in a work context, etc. Also, 1980s ideas about how to present a Chinese character are really shudder inducing now.

I've tried to capture my extremely mixed feelings about this book. I almost certainly will go back and reread some of the Donovan books, because now I'm curious about how those have aged. They were written later, but in the last couple of years I've really started noticing how romance authors tend to write to their cohort. The years may pass, and the heroine may stay 25-35 years of age, but as the authors get up into their 50s, 60s and 70s, the gap in values and perspective between a author born in the 1940s or 1950s or 1960s and the viewpoint character born in the 1970s, 1980s or 1990s becomes painfully obvious. I don't think I'd have any trouble writing a character who was 25 and exploring a new romantic relationship. I'm pretty sure that no amount of effort on my part could convince a discerning reader that that 25 year old was born after, say, 1979. And in a contemporary set in 2014, she'd be born ... somewhat later than 1979.

TL;DR? I really don't blame you. I liked it. I'll read more Lowell (again). But it's kind of a specialized taste at this point.

ETA: Here's a probably unintentionally humorous blog post saying that historicals set in the 1980s are yawn-inducing. *blink*

http://www.stackedbooks.org/2013/02/its-1980-something.html

I feel like I probably should go read a few of these. *pause* Yeah, no. It'll set off all my, but that's not what it was like!!!! issues.
walkitout: (Default)
SPOILERS RUN RUN RUN ahem.

I picked this up based on a positive review over on Smart Bitches and indeed, it is quite excellent. There are weak moments: facial recognition is taken entirely too seriously, and honestly there's just way too much concern about being tracked quickly on security cameras. The main character doesn't at any point entertain simple things like wearing hijab as a way of making it difficult/impossible for people to figure out where she's gone. She doesn't make any use of public transportation options. Even granting being overly concerned about cameras, she makes absolutely no effort to use any DC area bus system -- she goes all the way out to Charlottesville (well, she tries anyway) and steals cars rather than getting on a frickin' bus. She is worried about hitchhiking, which given her training makes zero sense. She wanders all over the place shopping, but it doesn't seem to occur to her that she could, in fact, just walk a dozen or so miles, get on a curbside bus (Megabus, say) and go wherever the hell she wants. Nor does she call for car service. It is mysterious. Given that she doesn't make any concerted effort to get rid of everything that might have been bugged, it sort of doesn't matter, but then the hero is really impressed when she buys a bike. *sigh* Honestly, I'd have been more impressed if she had stolen one. Also, if you're going any distance at all on a bike, a backpack is a bad choice.

So the middle of the book suffers from a whole lot of technical issues, and this is characteristic for the author -- it's a major contributor to me Not Reading Linda Howard very often. That said, large sections of the rest of the book are actually quite compelling. Howard doesn't get into much detail on the chemical brainwashing treatment to which Lizzy/Lizette was subjected. And that's _great_. I was really impressed by that. It's very hard to recognize that you should just assert the existence of something and build it into your world without explanation and I'm always impressed when people Just Do It. It is so much better than a bunch of hand-wavy, boring, pseudo scientific explanation.

The political backstory is weak.

HEY I SAID SPOILERS I MEANT SPOILERS

Fortunately, the political backstory is mostly relegated to the last quarter or less of the book and is run through very quickly, thus minimizing the pain of: the heroine used to look JUST LIKE the first lady, but no one knew the first lady until she was the first lady. Seems implausible to me, but I'm a news junkie, so I know what a lot of powerful people look and sound like -- and frequently discover that no one else remembers ever seeing them on TV so I guess believable. On the other hand, FLOTUS in the story is supposedly a member of a very famous political family. And yet still unknown in appearance? *shrug* The surname Thorndike. The idea that the President was selling military secrets to the Chinese for lots of money and FLOTUS was the go-between for the financial transaction. Just No. The idea that the group had clear cut evidence of treason at all. POTUS and FLOTUS confronting our heroine with a gun, instead of deploying someone else against her. Just, weird. Seriously weird.

To sum up: weak backstory. Big technical FAILS in the middle of the book. A really nice McGuffin with the chemical brainwashing. An enjoyable erotic/romantic relationship between the two main characters. Kind of claustrophobic -- everyone onstage is involved, with the exception of some people at WalMart and the drunk guy -- but that actually is a positive in some ways, because it helps contribute to the How Big Is This Conspiracy Anyway? feeling. I doubt I will reread it. I doubt I will go search out more Linda Howard. However, if I read very positive reviews of other books by this author, this won't stop me from trying another one of hers in the future.
walkitout: (Default)
JAK = Jayne Ann Krentz (contemporary), Amanda Quick (historical) and Jayne Castle (futuristic/scifi)

With the exception of a _Deep Waters_ reread, which I'm not going to describe in any detail here, all of the recent rereads and new reads are part of her Arcane Society universe. If you read a ton of these back to back, a couple of things happen. First, you really, really, really notice some plotting tics. I don't mean the character tics -- you really cannot read more than two JAK novels without noticing those. But the plotting tics (what is _with_ all the murderous realtors?) are something else again. Second, there are some minor themes throughout that you can really miss if you just read these things as they come out: genealogy/surnames are really important in these books (especially within trilogies, but also throughout the universe) AND she has reused surnames of characters from standalone contemporaries (Elias Winters from _Deep Waters_ is depicted in a way utterly compatible with the Winters men in general, and not necessarily so compatible as with the Sweetwaters, Sebastians, etc.). Given the subtler presence of intuition in those standalone contemporaries, it's a tough call whether this was something that JAK always wanted to do, but was prevented from doing until she became powerful enough to tell her editors what she was going to do and not get any backtalk -- or whether this is something that evolved over time through incremental reuse. Does not really matter.

I've assembled a bunch of mini-reviews into one long post, so you only have to TL;DR once. These have been fantastic holiday season/I am sick/I am working out reads, because they are so highly structured, and because they are so predictably rewarding, especially if you are from Seattle (well, excepting the Amanda Quick entries and a few of the desert ones). There are a bit more than a dozen novels represented here. I think there is at least one JAK I still haven't read (of the recent ones -- there are several classics I haven't read. And the Guinevere Jones books are now available on kindle! I don't think I've read any of those.) -- _Copper Beach_.

Arcane Society

Sizzle and Burn: Another niece with a dead aunt plot line, in which the niece is pursued by someone who it turns out killed her aunt. There are a lot of these in JAK books. In any event, she runs a costume shop. There’s another scary realtor. Zack Jones is a Jones & Jones PI who regularly defies Fallon to do what he thinks is best (this is fine, since he ultimately winds up in charge of Arcane, IIRC). Nightshade is making trouble, and not fully on Arcane’s radar until towards the end of the book.

White Lies: Clare Lancaster is a human lie detector. She helps rescue her half sister from a nutty husband — and then discovers his murdered corpse. The mother, because this is a JAK novel, then blames Clare and spreads vicious gossip causing her to lose her job and be unable to find another. Dear Old Dad steps in with a job offer, which Clare (predictably) declines, but she is stuck in Arizona long enough to get involved with Jake Salter — and to find another body and herself be nearly murdered a few times. Once again, Fallon Jones totally gets it wrong, repeatedly. It is sort of funny, how almost every time he is wrong, it is because he is unwilling to be a total conspiracy nut job — and yet the people around him think he is too willing to see conspiracies everywhere. It’s either terrible writing or a really funny running gag. I’m going with (b).

Running Hot: Luther Malone lives in Hawaii, working as a private investigator, sometimes for Fallon Jones of Jones & Jones. Fallon sends him Grace Renquist to help out on an assignment. They are trying to crack Nightshade, another cabal attempting to recreate the Founder’s Formula that started the long line of Jones with psychic talents. The Sweetwater clan makes an early appearance here, and there’s a hilarious subplot involving an opera singer with a deadly voice.

Scargill Cove Case Files: novella involving Fallon Jones suggesting that some of the nuttier background characters in Scargill Cove actually aren’t nutty at all. Probably not worth reading if you aren’t really crazy deep in this universe already.


Dreamlight Trilogy: Arcane Universe trilogy involving dream light talents. As above, first entry is contemporary, second is Victorian London, third is set on Harmony. In all these entries, the male Winters must find a female dream light talent to help him use the Burning Lamp artifact to stabilize his developing talent

Fired Up: Jack Winters is having a spot of trouble involving what seem to be blackouts. Little does he know what’s really causing those. He hires Chloe Harper to help him out. Unusual twists in this story include, IIRC, a female stalker (that isn’t a mom avenging the death of her son, which is the usual form that takes in JAK books). I think this is the book that caused me to quit reading JAK for a few years. I had trouble even figuring out why, but I have concluded the issue is the can’t-sleep-in-the-same-bed/room theme. I was okay with the idea that a woman who couldn’t sleep in the same bed/room as someone else might have relationship troubles as a result, altho I also felt like these were kind of oversold. I had a ton of trouble with the magical The One who she could sleep in a room/bed with. That I just found irritating. Really, really, really irritating.

Burning Lamp: Griffin Winters, underworld boss, hooks up with Adelaide Pyne, who already _has_ the Burning Lamp. Convenient. Pyne’s goal is to rescue women from prostitution. Fortunately, that’s not one of the criminal trades that Winters specializes in.

Midnight Crystal: Adam Winters is running the ghost hunter guild. Marlowe Jones is running Jones & Jones. He hires her to not only work the Burning Lamp to stabilize his developing talent, but also to stabilize the Mirror Maze in the Rainforest on Harmony — or the whole planet, well, all the cities and ruins could be destroyed!!! Also, dust bunnies. Marlowe rides a motorcycle.


Lookingglass Trilogy: Arcane Universe trilogy involving glass reading talents and Bridewell devices which are unique artifacts that store this kind of paranormal energy and are uniquely deadly. As above, first entry is contemporary, second is Victorian London, third is set on Harmony.

In Too Deep: Fallon gets an assistant and a girlfriend/fiance/wife. Isabella is on the run, wanted for possible criminal activities in conjunction with paranormal artifacts. She winds up in Scargill Cove, and decides that she and Fallon can help each other out with their respective problems. Many conspiracy theories involved. Also, nutty people in Scargill Cove, some backstory involving a cult, and a stash of Bridewell machines. Did I mention the serial murderer? Also, seriously, you _never_ want to trust a realtor in a JAK novel. (Highly reminiscent of _Deep Waters_ in parts involving the cult backstory.)

Quicksilver: Owen Sweetwater helps Virginia Dean get out of a really sticky situation involving a mirrored room and a dead body. They must deal with a Bridewell creation on the way out, as they also rescue another young woman waiting her fate in a cell. It only gets more complex from there. Unusually well developed secondary romance. Nice development of the alternative, mostly fraudulent psychical society.

Confusingly, the third entry in this trilogy is ALSO the first entry in the next trilogy (Rainshadow Trilogy: Canyons of Night). See below.

Rainshadow Trilogy: on future Harmony, in the Arcane Universe, minimal Arcane Society involvement. I read these as if they were set on turn of the 21st century century Orcas Island with some fantastical elements and it was a ton of fun. If you haven’t spent time on Orcas, it might not work out so well for you.

Canyons of Night: Charlotte and Slade met as teenagers, briefly, on Rainshadow and they are both back now after more than a decade. He had a bad accident while working for the FPBI. Charlotte is running an antique store she inherited from her aunt and has combined with stock from her own successful shop on the mainland. Her neighbor is overwhelming everyone except the dust bunnies with zucchini bread (the dust bunnies _love_ the stuff). A guy who was stalking Charlotte drops dead in her shop and it’s all really a puzzle. Of course, all those seemingly useless and/or damaged talents Are Not.

The Lost Night: Rachel's great-aunts retired and left her their book store. Harry Sebastian has arrived to try to figure out why things are going so wacky in the Preserve. Rachel had a weird experience in the Preserve (doesn’t really remember much if any of it) and he thinks she’s connected to what is going on inside. Creepy psi-path Marcus has been stalking Rachel for a while (longer than she realizes, actually), and at first it looks like there are two sets of bad guys involved. But no, this is a JAK novel so it is all connected.

Deception Cove: Alice, a descendant of Pirate North, has fallen upon hard times. A light talent who can make herself and other people/things invisible by bending light around them, she’s on the run from the mother of the (MC) husband. Husband is dead (he tried to kill her and things sort of went south for him from there) and mom blames her. She hooks up with Drake Sebastian, whose fiancé (supposedly dead, but you know how these things go) blinded him with an alien weapon. So he wears mirrored sunglasses everywhere, unless all the normal lights are off. They have to save the increasingly isolated Rainshadow Island from the increasingly unstable energies leaking out of the preserve. Alice has a dust bunny.

Ladies of Lantern Street: in the Arcane Universe, Victorian London, with psychical powers, but without actual Arcane Society involvement

Crystal Gardens: Evangeline’s story. As a Paid Companion available through the Flint and Marsh agency, Evangeline exposed a Fortune Hunter who then came after her. She was able to dispatch him; alas, that was not the end of her troubles. She retires to the countryside renting a cottage on the cheap from the owner of Crystal Gardens. She is attacked again, and the owner and the titular Gardens deal with him. She moves into the psi-soaked mansion with Lucas Sebastian and his man Stone, dragging with her her housekeeper Molly and Molly’s extended family. Obviously, Lucas supplies some additional Sebastians to keep up appearances. The crystals which will wreak so much havoc on Rainshadow Island on future Harmony have their origin story here (well, their origin story with the Sebastian family at any rate). I’m a little bummed that the bookseller had such low morals.

The Mystery Woman: Beatrice’s story. She was Miranda the Clairvoyant until Ronald Fleming was killed by the Bone Man. Then she becomes a Paid Companion/discreet investigator and Fixer for Flint and Marsh. Her romantic interest, Joshua Gage, was injured a yearish ago when he trusted someone he should not have. Also, has psychical abilities, but doesn’t believe in them. He’s a finder. He was working for a strat. His sister is being blackmailed and Beatrice is implicated. It all gets more complicated from there. On the one hand, it’s a little disappointing in terms of how far into the book the first sex scene occurs. On the other hand, it was a decent plot line in many respects and the development of the relationship was above average for JAK. The whole scarred face thing is way overdone, and JAK presents the idea of using the cane as a weapon as a surprise to people who it _really_ should not be surprising to. I paid more for this than any of the others, but it was still within the $9.99 envelope. 2nd in this trilogy, set in Victorian London. The events occur slightly before some of the Victorian Arcane novels — Weaver dies in this book. Flint and Marsh appear on screen for a few pages in this entry. This is not, strictly speaking, an Arcane novel but clearly shares the same universe.
walkitout: (Default)
I had some problems with this book. But first: SPOILERS!!!! Run away in fear! Bye! Especially if you haven't read two books prior to this, because everything about this book is a spoiler for stuff in previous books.

The biggest, most difficult to ignore problem was a technical error that was pervasive throughout the book. Spessard Higgie and his wife Marilee are important characters: Jack and the Bullet Catchers know that Higgie is the father of the triplets, and believe that he is also the person engaging in violence and murder to make sure no one ever figures that out. I was predicting that someone named "Higgins" would turn out to be the father of the triplets and/or general bad guy, based on the two tattoos that had appeared on the necks of the two woman who had been found. Altho I also recognized that Higgins, while probable, would be a little weird, since it is seven letters long, and so far each girl had two characters on her tattoo. "Higgie" was an ingenious solution and Spessard Higgie a wonderfully ridiculous Southern name (there was a Florida Governor named Spessard Holland). So it was incredibly annoying that something like a third to half the times that Marilee or Spessard's last name is mentioned, it appears as "Higgins" and the rest of the time as "Higgie". Sometimes both appear in the same paragraph. Gaaaah! I did report it to Amazon through the link towards the bottom of the detail page for that purpose; hopefully they will fix it so if you decide to read the book it won't drive you nuts, too.

There was less banter and humor in this than in the two books immediately before this one in the Bullet Catchers series. The hero, Jack, and heroine, Lucy, have more shared history, and they both have the usual intimacy/trust issues only much worse. It's just really kind of boring listening to them be unpleasant to each other. I had a lot more fun reading Fletch and Miranda, and Wade and Vanessa spar.

Vanessa's bone marrow cures her mom of leukemia, which is nice. There's a really ridiculous subplot involving Spessard, a blowjob, the woman sex worker who delivers the blowjob snarking at Marilee, and then going to the police to accuse the Higgies of setting the fire in the Carpenter's apartment -- and inevitably being murdered, but then smearing Higgie in blood at the scene, which is promptly erased. I mean, wow, that's just a ridiculous subplot, but as bad as all that is, the interaction between Jack and various bystanders is _so badly written_ that it makes the rest of it seem really quite fine by comparison.

I will probably take a break on St. Claire again for another few years. I also seem to be mostly over the cold or whatever it was that had me so ground down I had no energy for anything other than trashy novels.

July 2025

S M T W T F S
   1 2 3 4 5
6 7 8 9 10 11 12
1314 1516171819
20212223242526
2728293031  

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 16th, 2025 05:19 pm
Powered by Dreamwidth Studios